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SOLD OUT

$155

This exclusive one-night classroom session was specifically designed for attendees of the Nightscaper Conference who want to learn or enhance their night sky time lapse post-processing techniques.

 

In this class you'll learn my complete post processing workflow for night-sky time lapses including flicker elimination; creating star trail lapses; the tools to stay away from in Lightroom and why; ramping color temperature from beginning to end; how to fix time lapses gone bad; and more.  Worfklow processing covers Adobe Lightroom, Photoshop, and After Effects;  LRTimelapse; StarStax; and others.

Date / Time:
 

  • May 3, 2019

  • Classroom session starts:   7 pm

  • Classroom session ends:  11 pm

  • Limited to 12 Participants

What to Bring:

Laptop, external hard drive, memory card reader, a time lapse sequence already imported into Lightroom. 

You may also prefer just to watch and takes notes during the class instead of working on your laptop. 

The choice is yours

Ron Risman: Films and Photography

Ron Risman has been a photographer for over 30 years, and cinematographer and time-lapse specialist since 2008. As a photographer and timelapse specialist Ron quickly fell in love with night photography, and finding new and creative ways to capture the night sky.    Ron has been commissioned to shoot time-lapses for corporations such as Land Rover, Liberty Mutual, Restoration Hardware, and IttQ Japan; news organizations such as FOX CT News and WFTV-9 Orlando; and his work has appeared in films such as the HBO's "The Crash Reel" which premiered at the Sundance Film Festival in Park City, Utah, in the Land Rover short "Bridges to the Stars." and in a film about Utah's Might Five National Parks.

Ron is a commercial permit holder for the national and state parks where he leads workshops, and is certified in CPR / First Aid, and meets or exceeds all insurance requirements.

2019 Day and Night-Sky Workshop Schedule

films featuring footage

by ron risman & workshop participants

Timelapse Footage captured by Ron Risman